The following review was originally published on August 22, 2014 in Theater Pizzazz! Parody, by definition, speaks with two voices – that of the parodist, and that of its target – the former always subverting the latter by an act of redirecting the text from its original context to one more compromising. It implores us […]
The Ultimate Stimulus at Fringe NYC Read More »
The following review was originally published on June 3, 2013 in Theater Pizzazz! New York is a city that recycles itself, and those who have lived here long enough have become accustomed to the life cycles of landscapes, buildings, businesses, and cultural institutions. New York is in a constant state of metamorphosis; it’s just how this
Radical Vaudeville: Surf Reality is Still Making Waves Read More »
Profiles of three of my favorite art stars: Don Eng, John King, and Walter Gambin – ‘outsider’ artists for whom performance serves as a way to navigate their lives. Special thanks to Reverend Jen for providing some miraculous VO which pulled everything together for me. As always, I recommend listening with a good set of
“As in the other arts in America today – painting, poetry, sculpture, theater, where fresh winds have been blowing for the last few years – our rebellion against the old, official, corrupt and pretentious is primarily an ethical one.” The above statement, taken from the manifesto of the New American Cinema Group (81) written after
The Influence of Art and Performance on the Rise of American Independent Cinema Read More »
This is a short, 9-minute microdocumentary that I made last spring for my Art/Core class at the New School. The basic thesis is that cinema – underground films from the 60’s and 70’s, as well as mainstream cinema – has had an effect on the kinds of work contemporary performance artists in NYC today are
Art Stars: The Children of Jack Smith Read More »